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“It was definitely a mood of delirium that appeared to rule the scene, causing all that I saw to shimmer vaguely in my sight, as if viewed through the gauzy glow of a sick-room: a haziness that had no precise substance, distorting without in any way obscuring the objects behind or within it. There was an atmosphere of disorder and commotion that I sensed in the streets of the town, as if its delirious mood were only a soft prelude to great pandemonium. I heard the sound of something that I could not identify, an approaching racket that caused me to take refuge in a narrow passageway between a pair of high buildings. Nestled in this dark hiding place I watched the street and listened as that nameless clattering grew louder. It was a medley of clanging and creaking, of groaning and croaking, a dull jangle of something unknown as it groped its way through the town, a chaotic parade in honor of some special occasion of delirium.

The street that I saw beyond the narrow opening between the two buildings was now entirely empty. The only thing I could glimpse was a blur of high and low structures which appeared to quiver slightly as the noise became louder and louder, the parade closing in, though from which direction I did not know. The formless clamor seemed to envelop everything around me, and then suddenly I could see a passing figure in the street. Dressed in loose white garments, it had an egg-shaped head that was completely hairless and as white as paste, a clown of some kind who moved in a way that was both casual and laborious, as if it were strolling underwater or against a strong wind, tracing strange patterns in the air with billowed arms and pale hands. It seemed to take forever for this apparition to pass from view, but just before doing so it turned to peer into the narrow passage where I had secreted myself, and its greasy white face was wearing an expression of bland malevolence.

Others followed the lead figure, including a team of ragged men who were harnessed like beasts and pulled long bristling ropes. They also moved out of sight, leaving the ropes to waver slackly behind them. The vehicle to which these ropes were attached - by means of enormous hooks - rolled into the scene, its great wooden wheels audibly grinding the pavement of the street beneath them. It was a sort of platform with huge wooden stakes rising from its perimeter to form the bars of a cage. There was nothing to secure the wooden bars at the top, and so they wobbled with the movement of the parade. Hanging from the bars, and rattling against them, was an array of objects haphazardly tethered by cords and wires and straps of various kinds. I saw masks and shoes, household utensils and naked dolls, large bleached bones and the skeletons of small animals, bottles of colored glass, the head of a dog with a rusty chain wrapped several times around its neck, and sundry scraps of debris and other things I could not name, all knocking together in a wild percussion. I watched and listened as that ludicrous vehicle passed by in the street. Nothing else followed it, and the enigmatic parade seemed to be at an end, now only a delirious noise fading into the distance.”
Thomas Ligotti - “A Soft Voice Whispers Nothing”

Thomas Ligotti Online - Nineteenth Anniversary
Feb 08, 2017 - 11:35 AM - by Dr. Locrian
On February 4th, 1998, TLO was born.

Happy Belated Birthday (I forgot AGAIN), Thomas Ligotti Online!

A heartfelt thank you to Brian Poe (aka Dr. Bantham) for his wonderful design, hosting and administrative prowess and to all the members of TLO past and present for making this an online community that continues to stand the test of time.

Finally, thanks to Thomas Ligotti himself, as always.

Here's to nineteen more years of TLO!
4 Replies | 1,023 Views
Tsang Kin-Wah: The Infinite Nothing
Nov 15, 2016 - 3:30 PM - by qcrisp
I have been apprised of an art installation by the Hong Kong artist Tsang Kin-Wah, which has apparently been influenced by Ligotti. Ligotti is quoted, for instance, in his curatorial statement, here:

Here is a video presenting the installation:

I thought TLOers might find it of interest, even if it's too late, now, to attend, and there would be, anyway, geographical difficulties for most of us.
6 Replies | 2,900 Views
New Essay About Thomas Ligotti's Works by D.P. Watt
Nov 05, 2016 - 12:53 PM - by lepidoppleganger
‘The Impossible Literature of Thomas Ligotti, Puppeteer and Eschatologist’, in Thinking Horror: A Journal of Horror Philosophy, Vol 2, October 2016.

Watt is a brilliant fiction writer and essayist, and this is sure to be a gem.
7 Replies | 3,183 Views
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