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“On the platform was a lamp-bearing podium decorated with wizened cornstalks. I fixed my book in place before me, disguising my apprehension with a little stage patter about the story everyone was going to hear. When I invoked the name of Preston Penn, a few kids actually cheered, or at least one did. Just as I was ready to begin reading, however, the lights went out, which was rather unexpected. And for the first time I noticed that facing each other on opposite sides of the room were two rows of jack-o'-lanterns shining bright orange and yellow in the darkness. They all had identical faces - triangular eyes and noses, wailing O's for mouths - and could have been mirror reflections of themselves. (As a child, I was convinced that pumpkins naturally grew this way, complete with facial features and phosphorescent insides.) Furthermore, they seemed to be suspended in space, darkness concealing their means of support. Since that darkness also prevented my seeing the faces of the children, these jack-o'-lanterns became my audience.”
Thomas Ligotti - “Alice's Last Adventure”

Tsang Kin-Wah: The Infinite Nothing
Nov 15, 2016 - 4:30 PM - by qcrisp
I have been apprised of an art installation by the Hong Kong artist Tsang Kin-Wah, which has apparently been influenced by Ligotti. Ligotti is quoted, for instance, in his curatorial statement, here:

http://www.westkowloon.hk/en/whats-o...rial-statement

Here is a video presenting the installation:


I thought TLOers might find it of interest, even if it's too late, now, to attend, and there would be, anyway, geographical difficulties for most of us.
6 Replies | 1,401 Views
New Essay About Thomas Ligotti's Works by D.P. Watt
Nov 05, 2016 - 1:53 PM - by lepidoppleganger
‘The Impossible Literature of Thomas Ligotti, Puppeteer and Eschatologist’, in Thinking Horror: A Journal of Horror Philosophy, Vol 2, October 2016.

Watt is a brilliant fiction writer and essayist , and this is sure to be a gem.
4 Replies | 1,380 Views
The Literature of Creepy Clowns
Oct 13, 2016 - 12:56 PM - by Dr. Locrian


"The Literature of Creepy Clown" (Literary Hub) highlights Ligotti's "The Last Feast of Harlequin."

Quote
The apex of clowns-as-nightmare fuel in literature may well have come from the pen of Thomas Ligotti. This is not terribly shocking, given that Ligotti could write about an adorable child riding a pony on a sunny day and turn it into the stuff that chills readers’ souls and convinces them that they live in a bleak, arbitrary universe. Among the stories in his collection Grimscribe is “The Last Feat of Harlequin,” about an academic whose work involves articles with titles like “The Clown Figure in American Media.” He ventures to the town of Mirocaw, which hosts an annual festival in which clowns play a prominent role. Our narrator habitually attends such events, and regularly takes part. “To me the title of Clown has always carried connotations of a noble sort,” he writes. Throw in the involvement of an old mentor and you have the beginnings of a compelling narrative.

It’s also a narrative that, by the story’s end, curdles into something utterly terrifying. The narrator arrives in Miroclaw and discovers anonymous townspeople dressed as clowns and battered by their neighbors according to some mysterious custom. “They’re the freaks,” one of the locals tells him. “It’s their turn this year. Everyone takes their turn. Next year it might be mine. Or yours.” By the time the story reaches its climax—in a clown-filled subterranean chamber, where a terrifying ritual takes place—even readers without a pre-existing aversion to clowns may well find themselves recoiling from one the next time they see them.

Ligotti’s story taps into the kind of formalized and codified behavior associated with clowns, and then uses that to unearth something much deeper and more sinister. It’s one of the most effective horror stories in a book of effective horror stories, and it seems no coincidence that the cover of the recent Penguin Classics edition of Ligotti’s Songs of a Dead Dreamer and Grimscribe features a sinister riff on the harlequin whose imagery pervades the story.
2 Replies | 1,035 Views
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