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G. S. Carnivals
01-26-2009, 05:35 PM
"Sunlit bazaars in exotic cities thronged with faces that were transparent masks for insect-like countenances; moonlit streets in antique towns harbored a strange-eyed slithering within their very stones; dim galleries of empty museums sprouted a ghostly mold that mirrored the sullen hues of old paintings; the land at the edge of oceans gave birth to a new evolution transcending biology and remote islands offered themselves as a haven for these fantastic forms having no analogy outside of dreams; jungles teemed with beast-like shapes that moved beside the sticky luxuriance as well as through the depths of its pulpy warmth; deserts were alive with an uncanny flux of sounds which might enter and animate the world of substance; and subterranean landscapes heaved with cadaverous generations that had sunken and merged into sculptures of human coral, bodies heaped and unwhole, limbs projecting without order, eyes scattered and searching the darkness.

My own eyes suddenly closed, shutting out the visions for a moment. And during that moment I once again became aware of the sterile quality of the house, of its 'innocent ambiance'. It was then that I realized that this house was possibly the only place on earth, perhaps in the entire universe, that had been cured of the plague of phantoms that raged everywhere. This achievement, however futile or perverse, now elicited from me tremendous admiration as a monument to Terror and the stricken ingenuity it may inspire."
Thomas Ligotti - "In the Shadow of Another World"