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“The town impressed me as being much larger once I was within its limits than it had appeared from the prominence just outside. I saw that the general hilliness of the surrounding countryside was also an internal feature of Mirocaw. Here, though, the effect was different. The parts of the town did not look as if they adhered very well to one another. This condition might be blamed on the irregular topography of the town. Behind some of the old stores in the business district, steeply roofed houses had been erected on a sudden incline, their peaks appearing at an extraordinary elevation above the lower buildings. And because the foundations of these houses could not be glimpsed, they conveyed the illusion of being either precariously suspended in air, threatening to topple down, or else constructed with an unnatural loftiness in relation to their width and mass. This situation also created a weird distortion of perspective. The two levels of structures overlapped each other without giving a sense of depth, so that the houses, because of their higher elevation and nearness to the foreground buildings, did not appear diminished in size as background objects should. Consequently, a look of flatness, as in a photograph, predominated in this area. Indeed, Mirocaw could be compared to an album of old snapshots, particularly ones in which the camera had been upset in the process of photography, causing the pictures to develop on an angle: a cone-roofed turret, like a pointed hat jauntily askew, peeked over the houses on a neighboring street; a billboard displaying a group of grinning vegetables tipped its contents slightly westward; cars parked along steep curbs seemed to be flying skyward in the glare-distorted windows of a five-and-ten; people leaned lethargically as they trod up and down sidewalks; and on that sunny day the clock tower, which at first I mistook for a church steeple, cast a long shadow that seemed to extend an impossible distance and wander into unlikely places in its progress across the town.”
Thomas Ligotti - “The Last Feast of Harlequin”

Ligotti panel at NecronomiCon Providence 2017
Jul 04, 2017 - 8:46 AM - by Sam
This sounds spectacular! A panel at NecronomiCon Providence 2017:

Saturday, August 19 – 4:30-5:45pm
TEATRO GROTTESCO: The Bleak Universe of Thomas Ligotti – Grand Ballroom, Biltmore 17th Floor
Thomas Ligotti embraces the themes and moods of Lovecraft, Schulz, Cioran and others, and emerged from the shadow of these literary heirs to become one of the most powerful voices in Weird fiction. In this panel we discuss the bleak and pessimistic universe his work evokes, as well as works crafted by writers who count him among their influences.
Panelists: Matthew Bartlett, Michael Calia, Michael Cisco, Kurt Fawver, Alex Houstoun (Moderator), Jon Padgett

Can't wait!
106 Replies | 11,845 Views
Ligotti Panel at StokerCon
Apr 22, 2017 - 2:30 PM - by Nicole Cushing
A week from today (Saturday, April 29) at 2:00 p.m., there will be a panel at StokerCon titled "Thomas Ligotti and the Nightmare of Living".

S.T. Joshi, Ted Grau, and I will be discussing Tom's work aboard the Queen Mary. (A former luxury liner permanently docked in Long Beach, CA.) The panel will be in the Regent Room. Would love to see some TLO folks there.
11 Replies | 3,885 Views
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