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“And in other flights of instruction, during which Miss Plarr might flourish her pointer in the air like an artist's paintbrush, I was introduced to lands whose chief feature was a kind of brutality and an air of exile - coarse and torturous terrains, deliriums of earth and sky. These included desolate mist-bound islands in polar seas, countries of barren peaks lacerated by unceasing winds, wastelands that consumed all sense of reality in their vast spaces, shadowed realms littered with dead cities, and sweltering hells of jungle where light itself is tinged with a bluish slime.”
Thomas Ligotti - “Miss Plarr”

Cadabra Records Announcement
Apr 13, 2017 - 2:17 PM - by Dr. Locrian

Get ready.

#ThomasLigotti #nowspinning #vinyl #vinylcollector #coloredvinyl #horror #horrorfiction #vinyljunky #spokenarts #spokenword #CadabraRecords #NightmaresOnVinyl

I'll be narrating.

More details forthcoming.

Above is the title page for Matt Cardin’s superb essay, which will be included in "The Bungalow House" LP.

The sound design and music are by Chris Bozzone. I've heard what is very close to the final product, and I doubt I could be more pleased. I'll keep you all posted on a release date.
10 Replies | 5,963 Views
The X-Files script that was too bleak to air
Jan 12, 2018 - 5:31 PM - by Dr. Locrian

Cult horror author Thomas Ligotti explains why his nihilistic take on the sci-fi series never made it to TV

Their search for truth has seen them do battle with vampires, zombies, aliens, and elasticated mutants hungry for human offal. But what would Mulder and Scully make of a case that brought them face-to-face with “the strange and awful truth” of existence? “Crampton”, an unproduced screenplay for The X-Files, offers a clue: co-written by cult horror author Thomas Ligotti in 1998, the script plunges our detective leads into a world of illusion, suggesting conspiracies of a different kind.

If only the 2018 iteration of The X-Files were so ambitious. Last week, the new series premiered to middling reviews, following a first rebooted season that could not have felt more like a period piece if Mulder and Scully had rocked up wearing corsets. The original X-Files, of course, remains a hugely influential show and pop-cultural motherlode of pre-millennial tension. One difficulty with bringing it back is that television has become so much weirder since then: Black Mirror continues to mine a potent seam of techno-paranoia, while shows like Top of the Lake (in its first series) and The Returned evoke an otherworldly atmosphere far richer than anything Chris Carter’s show used to conjure. Even Twin Peaks, itself an influence on The X-Files, amped up the weird for its much-vaunted Return.

TV’s recent flirtation with the uncanny found its groove with the first series of True Detective, which relied for much of its unholy swagger on the character of Rust Cohle. A few years ago, writer Nic Pizzolatto revealed that part of the inspiration for Cohle’s bleak philosophising came from Thomas Ligotti’s non-fiction work The Conspiracy Against the Human Race, causing dark mutterings among the author’s devoted fanbase. Less known is that Ligotti also wrote an X-Files script which, had it gone on to be filmed, would surely rank among the series’ strangest and most terrifying moments.
And the very last line:

The Conspiracy Against the Human Race will be republished this year by Penguin
20 Replies | 1,315 Views
Absurd Degenerations and Totalitarian Decrepitude in "The Town Manager"
Dec 18, 2017 - 11:17 AM - by Dr. Locrian

I'm delighted that my article concerning Ligotti's corporate horror masterpiece is out in the world now, with beautiful artwork by the great Jason Van Hollander.

101 Weird Writers #47 Thomas Ligotti | Weird Fiction Review

The humor in 'The Town Manager' is of an absurd (or, rather, absurdist) flavor, from the useless trolley to the murder of the trolley operator by possibly supernatural means via the semi-literate town manager. In the pivotal book, 'The Theatre of the Absurd,' Martin Esslin quotes philosopher Apuleius, describing ancient mime plays in which 'serious, even horrifying matters are miraculously mingled with the… humorous.' This is of a kind used by Ligotti, humor that might be found in a Beckett or Ionesco play – a hilarity that reinforces and deepens rather than defuses the horror of existence.
4 Replies | 730 Views
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