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“I became as though a moth to a constant and unnecessary light. A small town was brightly lit by the descending beam from an overhead spotlight; this corner of The Mechanical Museum appeared at odds with the distant memory of my childhood visitation, and yet there was some aspect about this particular machine's melancholy streets, that seemed vaguely familiar. I had my suspicions, but to throw more light upon these I would need to be gifted darkness. Just a few coins and the overhead beam dimmed to nothingness. Beneath the glass case lighted a sequence of occasional street-lamps, their yellow glow hardly penetrating the fresh darkness of that small, degenerate town. A mechanical moon began to rise slowly upwards by way of a steel spindle, the tiny bulbs within its glass crescent, casting grotesque shadows via the manufactured branches of dark, leafless trees. These fell almost claw-like upon the walls of many dream-haunted houses.

My intruding eyes gazed through the lace curtains of one upstairs window, and the comforting glow of a night-light spread over a small single bed. Rested upon a pillow I saw the wooden countenance of an eternally sleeping child, while tiny squares of cloth blanket rose and fell with the rhythmic timings of sweet oblivion. Strings of sentiment tugged at my soul, and like some emotional marionette, I warmed until I became moulded into his mind of innocent dreams.

Identity became lost to me in one instant, and so I entered within the eternal dreams of the Sleeper. In ethereal form I wandered the dark streets of that town, revelling in the essence of past and future dream, and delighting in the lonesomeness and seclusion that now enveloped the Sleeper. The unreal world of another had become home to me, and being now able to realise this fact, I knew with certainty that a true annihilation of my former self would soon become complete.

Very swiftly all sign of memory faded to become replaced by the on-going construction of infinite possibility. I felt the coldness of the eternal night, then looked upwards to see the crescent moon moving slowly through the blackened skies. Contentment reigned in me, so that I became invisibly escorted through these desolate streets of my new home, but always walking to the tune of my own undreamt dream. Though when the music of this dream began to seem vaguely familiar to me, I became quick to encounter the fleeting presence of unaccountable unease.

Over the unworn cobbles of narrow alleys and backstreets I roamed, elated at the escape I had made from my forgotten confines. Yet eventually I was certain I heard a soulless screaming coming from beyond the door of some long-forgotten attraction. Entering through that door beneath a sign of coloured lights, I became temporarily blinded by a sudden beam of bright, white light. When my eyes saw again, the crescent moon had descended from the blackened skies above that small town within the glass case, and the return of the spotlight made it no longer possible to peer through those lace curtains into the bedroom of the Sleeper.

All around me still played the soft, strange music of his formerly undreamt dream, but I had now filled with much hatred and envy at the thought of that eternally sleeping child and how he had betrayed me.”
John B. Ford and Thomas Ligotti - “The Mechanical Museum”

Ligotti panel at NecronomiCon Providence 2017
Jul 04, 2017 - 8:46 AM - by Sam
This sounds spectacular! A panel at NecronomiCon Providence 2017:

Saturday, August 19 – 4:30-5:45pm
TEATRO GROTTESCO: The Bleak Universe of Thomas Ligotti – Grand Ballroom, Biltmore 17th Floor
Thomas Ligotti embraces the themes and moods of Lovecraft, Schulz, Cioran and others, and emerged from the shadow of these literary heirs to become one of the most powerful voices in Weird fiction. In this panel we discuss the bleak and pessimistic universe his work evokes, as well as works crafted by writers who count him among their influences.
Panelists: Matthew Bartlett, Michael Calia, Michael Cisco, Kurt Fawver, Alex Houstoun (Moderator), Jon Padgett

Can't wait!
106 Replies | 11,861 Views
Ligotti Panel at StokerCon
Apr 22, 2017 - 2:30 PM - by Nicole Cushing
A week from today (Saturday, April 29) at 2:00 p.m., there will be a panel at StokerCon titled "Thomas Ligotti and the Nightmare of Living".

S.T. Joshi, Ted Grau, and I will be discussing Tom's work aboard the Queen Mary. (A former luxury liner permanently docked in Long Beach, CA.) The panel will be in the Regent Room. Would love to see some TLO folks there.
11 Replies | 3,896 Views
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