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Old 07-26-2008   #1
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The Mechanic Street Museum

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“ So I took Mary out of the range of vast empty fields and beautifully gutted buildings, dropping her off at a place known as The Mechanic Street Museum. This nominal 'museum' was spread out along a block of abandoned houses not far from a railroad overpass and across the road from a dumping ground for old sofas and chairs, old tires, old medicine cabinets, and any other expired object you cared to name. The exhibits of the museum consisted entirely of old dolls and mannikins, or the various parts of same. These human simulations inhabited both the interior spaces of each abandoned house as well as populating their front yards. Behind any given window, often shattered, of the houses along this section of Mechanic Street, one might see an entire mannikin - sometimes clothed and sometimes not - or at least part of a mannikin, such as a slim forearm and hand held in place by some putty on the inside window sill. Additionally, these windows might display a doll hanging by its neck as if from a gibbet, or simply the head of a doll dangling at the end of a wire.

This community of dolls and mannikins also lounged upon the wooden porches, or the steps leading up to these porches, and sometimes peered out from the exposed crawlspaces beneath a number of the abandoned houses. Most interesting were the dolls and mannikins that had been set up in old chairs or sofas taken from the dumping ground across the street. The dolls leaned crookedly in chairs that were invariably too large for them, while the mannikins lay in twisted postures upon sofas without cushions. No one had ever claimed credit for creating this museum, which had attained modest renown in both local publications and nationally distributed art journals. Nor had anyone ever been caught, though many had tried, in the act of augmenting its exhibitions, filling the Mechanic Street houses and their yards with still more dolls and mannikins and replacing the ones that had become too damaged, either by vandals or the elements, to remain on display.
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  Thomas Ligotti - “My Work Is Not Yet Done”
Added by: G. S. Carnivals on 07-26-2008 #292

"What does it mean to be alive except to court disaster and suffering at every moment?"

Tibet: Carnivals?
Ligotti: Ceremonies for initiating children into the cult of the sinister.
Tibet: Gas stations?
Ligotti: Nothing to say about gas stations as such, although I've always responded to the smell of gasoline as if it were a kind of perfume.
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Old 07-26-2008   #2
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Re: The Mechanic Street Museum

This is a great example of Ligotti blurring the lines of reality and nightmare.
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