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Old 01-04-2012   #1
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Cyril Tourneur
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"The Wurdalak" segment by Mario Bava based on Aleksey Konstantinovich Tolstoy

"The Wurdalak"

In 19th Century Russia, Vladimir Durfe (Mark Damon) is a young nobleman on a long trip. During the course of his journey, he finds a beheaded corpse with a knife plunged into its heart. He withdraws the blade and takes it as a souvenir.

Later that night, Vladimir stops at a small rural cottage to ask for shelter. He notices several daggers hanging up on one of the walls, and a vacant space that happens to fit the one he has discovered. Vladimir is surprised by the entrance of Giorgio (Glauco Onorato), who explains that the knife belongs to his father, who has not been seen for five days. Giorgio offers a room to the young count, and subsequently introduces him to the rest of the family: his wife (Rika Dialina), their young son Ivan, Giorgio's younger brother Pietro (Massimo Righi), and sister Sdenka (Susy Anderson). It subsequently transpires that they are eagerly anticipating the arrival of their father, Gorcha, as well as the reason for his absence: he went to do battle with the outlaw and dreaded wurdalak Ali Beg. Vladimir is confused by the term, and Sdenka explains that a wurdalak is a walking cadaver who feeds on the blood of the living, preferably close friends and family members. Giorgio and Pietro are certain that the corpse Vladimir had discovered is that of Ali Beg, but also realize that there is a strong possibility that their father has been infected by the blood curse too. They warn the count to leave, but he decides to stay and await the old man's return.

At the stroke of midnight, Gorcha (Boris Karloff) returns to the cottage. His sour demeanor and unkempt appearance bode the worse, and the two brothers are torn; they realize that it is their duty to kill Gorcha before he feeds on the family, but their love for him makes it difficult to reach a decision. Later that night, both Ivan and Pietro are attacked by Gorcha who drains them of blood and flees the cottage. Giorgio stakes and beheads Pietro to prevent him from reviving as a wurdalak. But he is prevented from doing so to Ivan when his wife threatens to commit suicide. Reluctantly, he agrees to bury the child without taking the necessary precautions.

That same night, the child rises from his grave and begs to be invited into the cottage. The mother runs to her son's aid, stabbing Giorgio when he attempts to stop her, only to be greeted at the front door by Gorcha. The old man bites and infects his daughter-in-law, who then does the same for her husband. Vladimir and Sdenka flee from the cottage and go on the run and hide out in the ruins of an abandoned cathedral as dawn breaks. Vladimir is optimistic that a long and happy life lies with them. But Sdenka is reluctant to relinquish her family ties. She believes that she is meant to stay with the family.

Sdenka's fears about her family are confirmed when that evening, Gorcha and her siblings show up at the abandoned abbey. As Vladimir sleeps, Sdenka is lured into their loving arms where they bite her to death. Awakened by her screams, Vladimir rushes to her aid, but the family has already taken her home, forcing the lover to follow suit. The young nobleman finds her lying motionless on her bed. Sdenka awakens, and a distinct change is visible on her face. No longer caring, Vladimir embraces her, and she bites and infects him as well.






(Dictated while taking a stroll) I have come to realizewhat a superbly contrived marionette man is. Though without strings attached, one can strut, jump, hop and, moreover, utter words, an elaborately made puppet! Who knows? At the Bon season next year, I may be a new dead invited to the Bon festival. What an evanescent world! This truth keeps slipping off our minds.

- Tsunetomo Yamamoto, The Hagakure
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