The Nightmare Factory [Raven]
Front Cover | Publication Details | Printing Details | Back Cover | The Nightmare Factory [Raven]
| Publisher: | Raven | Publication Date: | June 1996 | Format: | Trade Paperback | Cover Price: | | Cover Artist: | |
| Country: | UK | Language: | English | Pages: | 552 | Size: | 8x5x1.8 inches |
| The Nightmare Factory [Raven]
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Title | Author | Page | Pages |
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Foreword | Poppy Z. Brite | ix | 2 | Introduction: The Consolations of Horror | Thomas Ligotti | xi | 11 | Part 1: from Songs of a Dead Dreamer | | 1 | 2 | The Frolic | Thomas Ligotti | 3 | 13 | Les Fleurs | Thomas Ligotti | 16 | 7 | Alice's Last Adventure | Thomas Ligotti | 23 | 16 | Dream of a Mannikin | Thomas Ligotti | 39 | 13 | The Chymist | Thomas Ligotti | 52 | 10 | Drink to Me Only with Labyrinthine Eyes | Thomas Ligotti | 62 | 9 | Eye of the Lynx | Thomas Ligotti | 71 | 8 | The Christmas Eves of Aunt Elise | Thomas Ligotti | 79 | 8 | The Lost Art of Twilight | Thomas Ligotti | 87 | 26 | The Troubles of Dr. Thoss | Thomas Ligotti | 103 | 11 | Masquerade of a Dead Sword | Thomas Ligotti | 114 | 18 | Dr. Voke and Mr. Veech | Thomas Ligotti | 132 | 9 | Dr. Locrian's Asylum | Thomas Ligotti | 141 | 9 | The Sect of the Idiot | Thomas Ligotti | 150 | 9 | The Greater Festival of Masks | Thomas Ligotti | 159 | 7 | The Music of the Moon | Thomas Ligotti | 166 | 7 | The Journal of J. P. Drapeau | Thomas Ligotti | 173 | 6 | Vastarien | Thomas Ligotti | 179 | 13 | Part 2: Grimscribe | | 192 | 3 | The Last Feast of Harlequin | Thomas Ligotti | 195 | 34 | The Spectacles in the Drawer | Thomas Ligotti | 229 | 11 | Flowers of the Abyss | Thomas Ligotti | 240 | 7 | Nethescurial | Thomas Ligotti | 247 | 13 | The Dreaming in Nortown | Thomas Ligotti | 260 | 20 | The Mystics of Muelenburg | Thomas Ligotti | 280 | 7 | In the Shadow of Another World | Thomas Ligotti | 287 | 12 | The Cocoons | Thomas Ligotti | 299 | 9 | The Night School | Thomas Ligotti | 308 | 10 | The Glamour | Thomas Ligotti | 318 | 9 | The Library of Byzantium | Thomas Ligotti | 327 | 12 | Miss Plarr | Thomas Ligotti | 339 | 9 | The Shadow at the Bottom of the World | Thomas Ligotti | 348 | 8 | Part 3: from Noctuary | | 357 | 2 | The Medusa | Thomas Ligotti | 359 | 18 | Conversations in a Dead Language | Thomas Ligotti | 377 | 12 | The Prodigy of Dreams | Thomas Ligotti | 389 | 10 | Mrs. Rinaldi's Angel | Thomas Ligotti | 399 | 10 | The Tsalal | Thomas Ligotti | 409 | 27 | Mad Night of Atonement | Thomas Ligotti | 436 | 13 | The Strange Designs of Master Rignolo | Thomas Ligotti | 449 | 10 | The Voice in the Bones | Thomas Ligotti | 459 | 8 | Part 4: Teatro Grottesco and Other Tales | | 467 | 2 | Teatro Grottesco | Thomas Ligotti | 469 | 17 | Severini | Thomas Ligotti | 486 | 12 | Gas Station Carnivals | Thomas Ligotti | 498 | 16 | The Bungalow House | Thomas Ligotti | 514 | 19 | The Clown Puppet | Thomas Ligotti | 533 | 9 | The Red Tower | Thomas Ligotti | 542 | 9 |
From Amazon.com |
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Thomas Ligotti, in his own words, writes of "a world that both surpasses and menaces this one." He is the contemporary master of the "weird tale," and yet his style is so intellectually intriguing, he has as much in common with Borges and Kafka as with Lovecraft and Machen. If you haven't discovered Ligotti yet, this edition is a great opportunity to do so: it collects all 39 stories from previous collections, plus 6 new ones--also, a forward by Poppy Z. Brite, and an introduction by Ligotti on "What are the consolations of horror?" |
From Booklist |
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In this stout volume, Ligotti offers American readers selections from three previous collections not readily available in the U.S. and, in a concluding section, some entirely new pieces. Very little seems to be known about Ligotti, but to judge from his stories, he is well traveled, has a superb command of setting and tone as well as of the English language, and is strongly biased toward the darker end of the fantasy spectrum. He also exhibits admirable economy of words, for more than 50 of his stories fit between the covers of this book. If there is very little here that will slake the lover of vast, sprawling horror novels, connoisseurs of literary skill who are willing to be frightened will find the book a feast, albeit one best consumed in small helpings. Roland Green |
From Kirkus Reviews |
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A large and generally very impressive gathering of imaginative and stylish horror fiction, adding several new stories to those culled from Ligotti's previous collections Songs of a Dead Dreamer (1990), Grimscribe (1991), and Noctuary (1993). Poe and Lovecraft are the obvious influences in these richly atmospheric (and often funny) tales of introversion blossoming into obsession, and of antiquarian scholars unwisely uncovering things that really ought to have been buried. Ligotti's prefatory essay on ``The Consolations of Horror'' broods wittily about the kind of person who enjoys this sort of thing, advising helpfully that, in reading such material, ``for a little while we can pretend to stare the very worst right in the rotting face.'' Of the new stories, ``Teatro Grottesco'' and ``Severini'' portray with perhaps excessive flamboyance the neurotic sources and feverish aftermath of artistic creation. Both ``The Clown Puppet,'' whose absurdly menacing title figure memorably objectifies its narrator's ``nonsensical'' existence, and ``The Red Tower,'' about an abandoned factory whose unspeakable products are surreptitiously still being sent out into the unsuspecting world, show Ligotti doing what he does best: Turning the abstract matter of our unguarded dreaming moments into vivid and compelling nightmares. Copyright ©1996, Kirkus Associates, LP. All rights reserved. |
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