Black Humour Passage of the Day

"The Deconstruction Co." by Jeremy Reed

Dear Sir, they write, we want clean literature,
nothing controversial or near the truth,
nothing committed, what we recommend
is writers work for the establishment,
it's the best way to get reviewed, we hope
you'll consider the TLS,
and give up wearing mascara, lipstick,
it's bad for image. You know, men just don't,
the Brit author is macho, conformist,
and wouldn't think like you to make a life
of poetry, who ever would?
And our advice is not to keep apart
surrounded by a small adoring cult
who look and act like you, but to participate

in parties, literary functions,
things that get you on. You seem to have no friends
in publishing, and not to be a parasite,
and this will never do. You're exclusive
and have too much mystique, what do you do
to write such censored off-beat books
that have reviewers chop your hands and feet,
and yes, we're told that you wear leopardskin boots
and that's outrageous. Please, be sensible,
adopt the Andrew Motion style of dress,
blended conventionality. We hear
you have too many women friends,
all of them beautiful, and that's not done,
in terms of advancement, men stick with men.
We feel you need another reprimand
for all those seething derisive reviews
have failed to stop you writing. 30 books?
We'd burn the lot. And please pay for the stamp.
 
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"Slake my thirst" – was the advert's hook as Robert drove past the hoarding – then up the M1 motorway nearing his long-neglected birthplace on the outskirts of Leicester. He had a ploy. He had a wheeze. To write 'Prince Philips' Diary' before Prince Philip wrote his own.

For this reason, he had felt an illogical need to touch home base. See his Mum and Dad, or at least where his Mum and Dad were buried, before embarking on this lucrative project. All the papers would buy it. He'd not make the same mistakes as that guy who once pretended that he had Hitler's diary and sold it to a Sunday newspaper for a song as a genuine part of mid-20th century history. This time, Prince Philip's Diary would indeed be Prince Philip's Diary. With all the warts as well as yappy corgis. Not to speak of his four difficult wayward children and other palace hangers-on.

Leicester Forest service station, on the M1, would serve as Robert's spark, a catharsis – a catharsis amid a thousand end-to-end cups of service station swill.

His thirst was for load and loads of money rather than for that quenching of his dry-as-dust taste buds. Taste buds lurked, he felt, like button mushrooms, in his lower throat. He swallowed hard. Imagining-illnesses-before-suffering-from-those-illnesses had ever been his true complaint. Hypochondria was, indeed, the worst illness of all.

He'd start writing the Diary in the service station. He was, now, after all, here, within the influence zone of his own astrological beginnings, utilising the rollercoaster flows of planetary transits across his original template of time.

Thirty five years ago, he was born, say, two miles from this very Service Station, under the Sign of the Ram upon the cusp of the Crab. An epoch that began when his Mum uttered a blood-curdling scream amid the milling midwives of a Midland dawn.

The centre of England was hereabouts: a significant location for Robert Montgomery, the only Robert Montgomery who would ever live the life of this particular Robert Montgomery. In an alternate world, he might have become the tallest or fattest person ever known to man, instead of the richest as he was due to become because of the planetary influences bearing down upon his obvious talent in writing other people's diaries.

And now he was at the Motorway Service Station, a restaurant, not at the end of the universe, but in the middle of it. A Way Station, in fact, for the very soul and grit of literature. Popular literature that would pay so much cash, he could afford perhaps the dish of the day, instead of dishwater.

He gazed longingly at someone else's all-day breakfast, whilst making do, as Robert was forced indeed thus to do, with his umpteenth cup of swill and no solids. He had been breast-fed when a small baby, and, in Leicester, there was a glut of wet nurses available in those days, and, indeed, his Mum was shrivelled to the very bottom of her chest, so he had been thankful – in hindsight – for the large mercies of riper milk-dugs elsewhere.

He gazed from the window towards the flowing motorway, and spotted another advert hoarding for thirst-quenching products … and he frowned as he lowered his concentrating brows towards the scrap of lined paper he had placed before him on the restaurant table and wrote: "Today, I was given things to suck."

That was a good beginning. A real diary might have started just in that way.

But Prince Philip had not been born in Leicester, had he? Wasn't he Greek? It was hot in Greece. Robert Montgomery knew at least that. Good local colour was important to any literature. He scored out what he had written and rewrote it: "It was hot today, and I was thirsty. The nurse cradled me to the ripe dugs of her breast."

Ah, that was better. Prince Philip to the tee.

Someone had just sat beside Robert – because the place was getting fuller (with passing trade in the main) – and this person flaunted a double decker all-day breakfast with extra trimmings. Including button kidneys glowing in the motorway dawn. Robert scowled and gulped another dose of swill. The chap with the breakfast nursed a huge mug of scalding best-infused tea, Robert could tell, whilst Robert himself had been dished out with the grey fluids dripping from the kitchen draining board.

He thought of his Mum and Dad Montgomery. They had been a humble pair of folk, and they had been proud of Robert. But thirty-five years ago they were into the original boy band called the Bay City Rollers. So they dressed Robert in trousers at half-mast, trimmed with tartan, and gave him long scarves like Dr Who.

As a toddler, Robert had looked strange to the passers-by. Now, he was to prove he was no freak from the Seventies, but a writing talent fit for the 21st century. The Montgomery clan would be proud of him. He sucked his pencil. Then worried about being lead-poisoned . He took a tug of swill from the nozzle of his drink and started to gurgle.

Prince Philip was too young to write. The next minute he was dead. Sprawled over the restaurant table, sprawled over what he'd scrawled.

A ghost child's hand still scribbling, scribbling even in an imaginary death from a real disease.

Leicester Forest Service Station still buzzed with late breakfasters – ignorant of the talent that had lived and breathed its unfulfilled life, here, amid their munching chops.

A lorry slowly drew out of the car park, some drink advertised on its side. Not Tizer. Or Corona. But another name. A Seventies malty drink. With which Prince Philip had once force-fed an already overgrown Prince Charles, because he never stopped teething.

Nearby, later, in a silent Leicester graveyard, a sad, solitary figure looking much older than his thirty-five years, left some flowers by a twin-bed made of stone. The sun was setting at this very singular moment.

He stayed for some while, bent, hands clasped behind his back. A loyal corgi yapping by his feet.
D. F. Lewis - "Prince Philip's Diary"
 
"Destiny" by Marin Sorescu (1936-1996), trans. D. J. Enright and Ioanna Russell-Gebbett

The chicken I bought last night,
Frozen,
Returned to life,
Laid the biggest egg in the world,
And was awarded the Nobel Prize.

The phenomenal egg
Was passed from hand to hand,
In a few weeks had gone all round the earth,
And round the sun
In 365 days.

The hen received who knows how much hard currency,
Assessed in buckets of grain
Which she couldn't manage to eat

Because she was invited everywhere,
Gave lectures, granted interviews,
Was photographed.

Very often the reporters insisted
That I too should pose
Beside her.
And so, having served art
Throughout my life,
All of a sudden I've attained to fame
As a poultry breeder.
 
"Dear horror writers of the future, I ask you: what is the style of horror? What is its tone, its voice? Is it that of an old storyteller, keeping eyes wide around the tribal campfire; is it that of a documentarian of current or historical happenings, reporting events heard-about and conversations over-heard; is it even that of a yarn-spinning god who can see the unseeable and reveal, from viewpoint omniscient, the horrific hearts of man and monster? I have to say that it's none of these, sorry if it's taken so long."
Thomas Ligotti - "Notes on the Writing of Horror: A Story"
 
“Arma Virumque” by Ambrose Bierce (1842-?1914)

“Ours is a Christian army”; so he said
A regiment of bangomen who led.
“And ours a Christian navy,” added he
Who sailed a thunder-junk upon the sea.
Better they know than men unwarlike do
What is an army, and a navy too.
Pray God there may be sent them by-and-by
The knowledge what a Christian is, and why.
For somewhat lamely the conception runs
Of a brass-buttoned Jesus firing guns.
 
As a freak of fate, those who were already there when Antonian arrived in the lamp room, were discussing the dice-throwing set who used to frequent the commercial markets all over the world. Antonian had once considered himself to be part of that scene, but not for some years. It all came flooding back to him when someone shouted out: “Hey! Antonian, thrown a clutch of sixes lately?”

He scowled at the unseen perpetrator of this cruel jollity.

The gas lamps were so aligned with the wall mirrors, they cast shadows over the faces on the settees, but made the ceiling brighter than a sunny sky in mid-June.

He went to the hatch in the wall where pootch was being served at a guinea a schooner. The young lady serving, in contrast to the customers, was in full view, not even a shadow down her cleavage.

“Six schooners,” he ordered.

She poured them from a cask with a brass tap.

“Can you top them up - there’s at least half an inch of head.”

She stared back.

“Oi, Mistah, you may be a right oo-de-lah in your mummy’s eyes, but here you get what yer given. That’ll be six guineas and, if you want me to say please, that’ll be another guinea on top!”

Antonian fidgetted his feet. The lamps flickered as a nearby underground train shook the whole building. Like ghosts, the faces of the other drinkers were partially revealed by the tapering, leaning and bluing of the gas jets. He recognized at least one of his fellow shakers from the old days, one who owed him more than vice versa.

“Hey, Jack,” he called, “Give this here lady a guinea and she says she’ll say please.”

“Yes,” she laughed, “I’ll say please for a guinea and give me yet another, I’ll give you a sweet thank you too!”

“How sweet, Brenda?”

“You’ll see.”

He put his hand into his pocket and pulled out a wad of tight change. He threw it into her cleavage and heard the splash several seconds later.

“Is that enough, Brenda?”

She smiled innocently and fished down her front to retrieve the payment.

Meanwhile, he who had been addressed as Jack had stepped up to the hatch. If anyone had a misaligned smile he did - either that or his head had been put on at the wrong angle.

“Yes, I thought it was you Jack - come to rub along again with your old Uncle Antonian, eh? We were muckers once, so let’s call it quits. Give me a wad, and I’ll let this young lady have another one for her chest of drawers ... and maybe she’ll entertain us both together, later.”

“And maybe I won’t”, she said, as she topped up the six schooners.

“Thanks, Brenda, have one for yourself.”

Antonian wrapped the six glasses in his fist as if he were a born waiter and, without warning, smashed them all to the floor, splinters of glass and flecks of pootch flying in all directions … save one, where Antonian himself stood with Jack.

The rest of the company were not so lucky. They had their women picking shards out of their cheeks for weeks after.

But that was the last six Antonian ever threw. He left the lamp-room that night - smiling from ear to ear and, for the benefit of those who pry, he was carried out in a state of apparent drunkenness. Well, what do you think, after downing six schooners of pootch?

Brenda (if that was her real name), when dressing later that night, told Jack that she’d enjoyed it more than ever, his new pouch being far more chunky.... But it had been strangely dark in the lamp-room and, in this day and age, what matters is who trumped her - names were wild, bodies shuffled and tricks far too easy to take - and who cares whose deal it was anyway.
D. F. Lewis - "Wild Jokers and Square Balls"
 
Delicious is not like abstemious or facetious. Abstemious and facetious have all the vowels contained within them—in the right order. Delicious lacks an a.

I read the slip of paper I'd pulled from the tin. Delicious, it said—and I wondered how delicious actually meant what it did mean. I'm sure it's some lingo thing, but I'm not half clever enough for that. Suddenly, I thought of the word suddenly; suddenly doesn't sound like suddenly, does it? Abruptly had more kick, more of a get up and go. Suddenly is sibilant and slow-moving like a sinuous snake.

Once, when in the West Indies, I tasted a snake. It was a delicacy there, a delightful delicacy. Its dead-eyes stared at me from either side of its head, as it lay coiled on my plate.

"It's delicious, try it and see," said my host. We had been drinking a lot. Well, none of my friends were particularly abstemious, and he was no exception.

I took my knife and cut into the snake's rind, finding it remarkably rubbery whilst with the feel of sawing cardboard. The fleshy innards oozed a green substance.

"It looks scrumptious," I said facetiously.

Suddenly, it leapt off the plate and bit me.

"Delicious," it hissed.
D. F. Lewis - "Delicious"
 
"As a final text, I'm reminded of the diving suit in which Salvador Dali delivered a lecture some years ago in London. The workman sent along to supervise the suit asked how deep Dali proposed to descend, and with a flourish the maestro exclaimed: 'To the Unconscious!' to which the workman replied sagely: 'I'm afraid we don't go down that deep.' Five minutes later, sure enough, Dali nearly suffocated inside the helmet."
J. G. Ballard - "Which Way to Inner Space?"
 
Philip Larkin on the source of inspiration for his poetry:

"Deprivation is for me what daffodils were for Wordsworth."

(from a 1979 interview)
 
The hilarious musings of the great George Carlin (1937-2008):


I think people should be allowed to do anything they want. We haven't tried that for a while. Maybe this time it’ll work.



*****


I would never want to be a member of a group whose symbol was a guy nailed to two pieces of wood.


*****


I'm always relieved when someone is delivering a eulogy and I realize I'm listening to it.


*****


I'm completely in favor of the separation of Church and State. My idea is that these two institutions screw us up enough on their own, so both of them together is certain death.


*****


If it's true that our species is alone in the universe, then I'd have to say the universe aimed rather low and settled for very little.


*****


If we could just find out who's in charge, we could kill him.


*****


If you can't beat them, arrange to have them beaten.


*****


Just cause you got the monkey off your back doesn't mean the circus has left town.


*****


May the forces of evil become confused on the way to your house.


*****


Not only do I not know what's going on, I wouldn't know what to do about it if I did.


*****


The very existence of flame-throwers proves that some time, somewhere, someone said to themselves, “You know, I want to set those people over there on fire, but I'm just not close enough to get the job done.”


*****


When you're born you get a ticket to the freak show. When you’re born in America, you get a front row seat.
 
nobody loses all the time

i had an uncle named
Sol who was a born failure and
nearly everybody said he should have gone
into vaudeville perhaps because my Uncle Sol could
sing McCann He Was A Diver on Xmas Eve like Hell Itself which
may or may not account for the fact that my Uncle

Sol indulged in that possibly most inexcusable
of all to use a highfalootin phrase
luxuries that is or to
wit farming and be
it needlessly
added

my Uncle Sol's farm
failed because the chickens
ate the vegetables so
my Uncle Sol had a
chicken farm till the
skunks ate the chickens when

my Uncle Sol
had a skunk farm but
the skunks caught cold and
died and so
my Uncle Sol imitated the
skunks in a subtle manner

or by drowning himself in the watertank
but somebody who'd given my Uncle Sol a Victor
Victrola and records while he lived presented to
him upon the auspicious occasion of his decease a
scrumptious not to mention splendiferous funeral with
tall boys in black gloves and flowers and everything and

i remember we all cried like the Missouri
when my Uncle Sol's coffin lurched because
somebody pressed a button
(and down went
my Uncle
Sol

and started a worm farm)
--e. e. cummings
 
From "Uncoupling," by Barry N. Malzberg

An attendant appeared, neutered in flowing robes. Everything in the Towers is done for effect; go one inch under the surface and the substance disappears. Nevertheless, one must persevere. The world is plastic. The world is corrupt. Still, in or out of it there is no alternative.

"Je suis au pardonne, monsieur," the attendant said in execrable French. "Je desire a' service mais je non comprendre votre desiree...."

"Speak English!" I snarled, hitting the counter, a tall, bitter man in my late thirties, the snakes of purpose wending their way through his shattered but wise features. (I tend to depersonalize, sometimes lapsing even into the third person in my desperate attempts to scrape free of the trap of self: au pardonniere.) "Speak English!" the tall, bitter man shouted, his voice echoing through the amplifiers in the walls of the Towers, and the attendant trembled, adjusted his/her robes more tightly about himself/herself.

"Yes," he/she said. "I am here to help you, all of us are here to help you, but you must understand, you must simply understand that in order to achieve you must modulate..."

"I will not modulate!" I screamed, slamming a bitter fist into the gleaming and refractive surfaces of the desk. "There is no need for modulation. I am entitled to service, service and understanding -- don't you clowns understand this -- and furthermore," I added more quietly as several threatening robot policemen, noiseless on their canisters, glided into the reception area holding cans of Mace at ready, "anyway," I whispered to the attendant, the gentlest and most winsome of expressions chasing the snakes from the panels of the features, "this is one of my prescribed days for heterosex and I want to make the most of it. Time is money, after all, money is the barter of existence, and without time and money where would any of us be? I wish to engage in normative heterosex during this, my relaxative period." I perched an elbow on the desk, turned a non-threatening blink upon the attendant. "Pardon me for my haste," I added, "pardoniere moi au mon haste, je suis so needful."

The attendant foraged under the desk, produced a standard application form, passed it across to me. The robot policemen chattered to one another, their tentacles flicking in a consultative manner, and then as noiselessly as they emerged, withdrew, leaving the reception area blank and impermeable once again. I respect the means by which they maintain security here. Really, the Towers is in a difficult position, catering as it must to the full range of human desire and perversity, and if I were administering it, which I happily do not (the Government itself administers everything nowadays; the projections of the mid-1900s were absolutely correct), I would be even more forceful than they. People must learn to accept their condition. People must realize that in a world of poison, overpopulation, and enormous international tensions, where five people occupy the space biology would have reserved for only one, tensions accumulate and the only way that the world can be prevented from complete destruction is a firm administrative hand at the top. (I wrote my thesis on neo-Fascism and have in my cubicle a handy collection of whips that I am apt at jocular moments to lay merrily about myself and all visitors.)
 
"Later that afternoon Connolly sat back in a canvas chair on the deck of the launch. About half the Indians had returned and were wandering about the huts in a desultory manner, kicking at the fires. Ryker, his authority re-asserted, had returned to his bungalow.

'I thought you said they weren't cannibal,' Connolly reminded Pereira.

The captain snapped his fingers, as if thinking about something more important. 'No, they're not. Stop worrying, Lieutenant, you're not going to end up in a pot.' When Connolly demurred, he swung crisply on his heel. He had sharpened up his uniform, and wore his pistol belt and Sam Browne at their regulation position, his peaked cap jutting low over his eyes. Evidently Connolly's close escape had confirmed some private suspicion. 'Look, they're not cannibal in the dietary sense of the term, as used by the Food & Agriculture Organisation in its classification of aboriginal peoples.They won't stalk and hunt human game in preference for any other. But' - here the captain stared fixedly at Connolly - 'in certain circumstances, after a fertility ceremonial, for example, they will eat human flesh. Like all members of primitive communities which are small numerically, the Nambikwara never bury their dead. Instead, they eat them, as a means of conserving the loss and to perpetuate the corporeal identity of the departed. Now do you understand?'

Connolly grimaced. 'I'm glad to know now that I was about to be perpetuated.'"
J. G. Ballard - "A Question of Re-Entry"
 
A glorious vintage routine by Sam Kinison (1953-1992):

“I got a real depressing letter from my folks about two weeks ago, because I haven’t been taking real good care of my money. They said, ‘Sam, we can’t send you any more money. You’re out of control, and you don’t know what the f--k you’re doing with your cash. And . . . you’re old enough to be on your own.’ I said, ‘Oh, okay’ . . . and I called them. I said, ‘Mom, get dad on the phone too, wake him up, I know it’s late, but I want you both to hear this. You know, before I was your little son, before I was your baby, before I was your LOAN, I was a free spirit in the next stage of life. I walked in the cosmos, not imprisoned by a body of flesh, but free, in a pure body of light. There were no questions, only answers, no weaknesses, only strengths, I was light, I was truth, I was a spiritual being, I was a God . . . but you had to F--K and bring my ass down HERE. I didn’t ask to be born! I didn’t call and say: ‘Hey, please have me so I could work in a f--kin’ Winchell’s someday!’ Now you want me to pay my own way? . . . F--K YOU! PICK UP THE F--KIN’ CHECK, MOM! PICK IT UP!”
 
This is the story I can’t make head nor tail of it, somebody said: “You ought to write it down,” I can’t remember who, perhaps it was me, I get everything mixed up, it’s true sometimes when I’m being introduced to someone I concentrate so much I take on the same face as the person and the friend who is introducing us doesn’t know if it’s me or the other one, he just leaves me to sort it out for myself. Instead of saying: “Excuse me” and putting on my real face again, I explain why I like to look like people and get all mixed up again, my friend gets angry and the other person goes off saying she hasn’t got all day to waste she’s got shopping to do.

Mahu or The Material - Robert Pinget
 
People keep a dog and are ruled by this dog, and even Schopenhauer was ruled in the end not by his head, but by his dog. This fact is more depressing than any other. Fundamentally it was not Schopenhauer’s head that determined his thought, but Schopenhauer’s dog. It was not the head that hated Schopenhauer’s world, but Schopenhauer’s dog. I don’t have to be demented to assert that Schopenhauer had a dog on his shoulders and not a head. People love animals because they are incapable even of loving themselves. Those with the very basest of souls keep dogs, allowing themselves to be tyrannized and finally ruined by their dogs. They give the dog pride of place in their hypocrisy, which in the end becomes a public menace. - Thomas Bernhard
 
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As described by Kay Redfield Jamison in Night Falls Fast, the suicide of James Whale (director of the classic Frankenstein adaptation) was a doubly ironic event:
Morbidly afraid of water, he then drowned himself in his swimming pool.
 
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