General Music Discussion

I was checking out some Dungeon-Synth projects and discovered an OSR record label called Heimat Der Katastrophe, based in Italy. They release ambient records inspired by retro role-playing games.

They have albums with D&D themes, but I was surprised to find one dedicated to MÖRK BORG. It brought back a lot of memories, but it also made me think of @Horrorshow, who I know is into this kind of stuff.

Thank you for thinking of me! 😊

You're quite right, I'm a fan of the table top RPG MÖRK BORG and indeed as a lover of electronic/synth, dark wave music I'm sure I'll enjoy your recommendations. I've just tracked the GNOLL album down on YT Music!

🫶🖤🫶
 
I've just found this Dungeon Synth tape inspired by MÖRK BORG. I'm listening to it right now after saving it to 'Watch Later' yesterday, and I thought it was worth sharing.

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On Bandcamp:

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This might be of interest to more than a few of you. Today is Bandcamp Friday. I’ll quote the page verbatim:

Bandcamp Fridays began in March of 2020—a full six years ago now—at the height of the Covid-19 pandemic, when the shuttering of venues led to a loss of vital tour revenue for artists. Since then, Bandcamp Fridays—on which we waive our revenue share and pass the funds directly to artists & labels—has resulted in millions of fans paying over $120 million directly to labels and musicians they love. In addition to helping artists pay the rent, or fund album recordings and tours, Bandcamp Fridays have also become a beacon for artists and record labels looking to raise awareness for causes or raise money for charities.

The next Bandcamp Friday of 2026 will be this Friday, September 4th. You can help us spread the word by downloading these handy social assets.

Bandcamp Fridays will continue throughout 2026—check out the dates below, and mark your calendars:

  • October 2nd
  • November 6th
  • December 4th
Thanks for your continued support of independent music and the people who make it.

More info at: https://daily.bandcamp.com/features/bandcamp-fridays
 
To those who do not know of him, Rodriguez "Cold Fact" from 1970 is a stone classic acid folk album. He was like Dylan with balls/street cred. Everything Manson wasn't as a musician: honest, humble, hardworking, etc.

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Also check out the movie "Searching For Sugar Man". The story of Rodriguez is amazing!
 
Here’s my Discogs profile, which I just created after thinking about what Zaharoff and Ironrose said. I had no idea you could have your own organized catalog! I thought it was just for buying and selling. I was even able to add my copy of a cassette limited to 10 copies.
 
... my Discogs profile, which I just created after thinking about what Zaharoff and Ironrose said. I had no idea you could have your own organized catalog! I thought it was just for buying and selling...
Ha, ha, I would never do that. Have strangers see I have Black Sabbath and Abba. Blue Öyster Cult and the Carpenters. Not to mention Nine Inch Nails and Puffy Ami Yumi. Perish the thought their take of me. More to the point, my time dwindles daily.
I used to keep my catalog on yellow legal paper. Now I just scan the shelves, or play "new" arrivals.
At home, everything (Rock-Pop-Soul) is alphabetical. Subdivided out Jazz and Blues and Country and International. Classical has it's own rack, although I have set vocal recitals at the end.
 
Ha, ha, I would never do that. Have strangers see I have Black Sabbath and Abba. Blue Öyster Cult and the Carpenters. Not to mention Nine Inch Nails and Puffy Ami Yumi. Perish the thought their take of me. More to the point, my time dwindles daily.
I used to keep my catalog on yellow legal paper. Now I just scan the shelves, or play "new" arrivals.
At home, everything (Rock-Pop-Soul) is alphabetical. Subdivided out Jazz and Blues and Country and International. Classical has it's own rack, although I have set vocal recitals at the end.
Well, it’s understandable that everyone has their own inhibitions. Personally, it doesn’t really affect me, especially since I have VERY few things in physical form. As for the groups you mentioned... they don’t strike me as negative. It’s actually pretty common. Or was that sarcasm? Never mind, I get your point.
 
On one hand, I am being a bit satirical. At the record store where I worked, coworkers knew I was steeped in 70's Heavy Metal, had a fondness for Girlpop, was one of the go-to Classical guys, had the best Sinatra Q, etc ... Club music, Rap, Country, Jazz, there were coworkers who were more knowledgeable.
On the other hand, I don't really want bots to know much about me. That includes those that crawl Discogs perpetually.
Used CD joints, Thrift Towns, Salvation Army, all sell music cheaply. Not necessarily vinyl which is enjoying (to me) a weird resurgence. This is also assuming you have some gear to play music on. Basic: player, speakers, power system (receiver or amp or something).
If you are curious about groups unknown to you. check out Allmusic. I was surprised they listed Current 93, not surprised there were so few reviews. BUT - registered members get to post their own!
 
On one hand, I am being a bit satirical. At the record store where I worked, coworkers knew I was steeped in 70's Heavy Metal, had a fondness for Girlpop, was one of the go-to Classical guys, had the best Sinatra Q, etc ... Club music, Rap, Country, Jazz, there were coworkers who were more knowledgeable.
On the other hand, I don't really want bots to know much about me. That includes those that crawl Discogs perpetually.
Used CD joints, Thrift Towns, Salvation Army, all see music cheaply. Not necessarily vinyl which is enjoying (to me) a weird resurgence. This is also assuming you have some gear to play music on. Basic: player, speakers, power system (receiver or amp or something).
If you are curious about groups unknown to you. check out Allmusic. I was surprised they listed Current 93, not surprised there were so few reviews. BUT - registered members get to post their own!
I hadn’t taken that bot part into account... It’s less about people and more because of THE PEOPLE. I understand a little better now...
 
Here’s my Discogs profile, which I just created after thinking about what Zaharoff and Ironrose said. I had no idea you could have your own organized catalog! I thought it was just for buying and selling. I was even able to add my copy of a cassette limited to 10 copies.
I clicked on that link only to discover that your profile is private, as it should be. Mine is private, too. I didn't realize at first that it defaults to public (I never considered the question) until someone messaged me and asked me if I'd sell them a record from my collection. That was weird. I suppose the bots are unavoidable, though. What I don't want is for individuals to be able to peruse my collection without me screening them. My address is not there, but I suppose it can't be that hard to find, if the wrong person wanted it. Record collectors are a weird bunch. And obsessed. I am one of them, though hopefully I'm in the sane cohort.
 
Hoffman Forums is another one.
Primarily for audiophiles, tube guys, they prefer you list your gear in your profile.
The rationale for that is if you are reviewing music - preferably vinyl there - they know what your equipment is.
Members with entry level Crosley turntables ain't gonna rate high.
 
I love JBL. Has anyone here used their speakers? I was given one as a gift and I absolutely love it. It’s Bluetooth, but it sounds really, really good, and the battery lasts forever. I use it at night when I’m going to sleep. I even accidentally dropped it once, and nothing happened to it.

I’ve heard that back in the last century, JBL made subwoofers and other audio equipment, and that they were really great.
 
JBL made the iconic L100 in the 1970s.
On view in this old Maxell cassette commercial.
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JBL has since been acquired by Harman Kardon (owned by Samsung).
The classic L100 has been updated, but a pair AIN'T CHEAP.
For what it's worth, I have a pair of JBL towers.
These are "unpowered" speakers, so you need an amp to drive them.
JBL used to offer deep sales, but it appears HK has rebranded JBL for portable, party time.
 
There are 5 copies of this compact disc left on Current 93’s Bandcamp, which, as far as I understand, is the last one. I’ll buy it at the end of the month, because I’ve already seen on Discogs how much these compact discs get resold for afterward. Damn, it’ll really be great to own a Current 93 CD.

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I prefer to ask before listening—I don’t remember if it was @Ironrose who mentioned them. What is the project “The Legendary Pink Dots” about?
They are the most original, idiosyncratic and prolific band out there. They have been around for 45 years, with changing lineups, but always led by one Edward Ka-Spel, who has one of the most distinctive voices I've ever heard. Edward is also a good writer of lyrics. Their music can be gothic, psychedelic, industrial and just plain dark in a literary way, but with no association with the occult or other weird sociopolitical movements or figures. Isolation is a common theme in Edward's lyrics, though generally expressed with a poignant beauty. Always poignant beauty. There are apocalyptic images. It is good.

Early music is simple with crude arrangements, using cheap keyboards in the mix. But they evolved over the years, and their music beginning in the mid 80s got more sophisticated, though it still retained their unique character.

Where to start? Their catalog can be overwhelming, but one of my favorites is Shadow Weaver:
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Or Any Day Now:
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And Tear Garden, a collaboration between Edward and cEvin Key:
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Here is something I wrote a couple years ago:

Legendary Pink Dots
LPD are a band that sounds like no other band ever. This is partly because their sound is dominated by the lyricist/vocalist/musician Edward Ka-Spel. In fact, his solo releases sound very much like LPD albums, though maybe stripped down some. Another reason for this unique sound is that they started before they knew how to play instruments or even how to construct songs, but as time passed, they figured it out without losing their own voice. Hence a quirky and idiosyncratic sound, though more polished as time has passed.
There are two things to understand about LPD:
1. All their albums are different.
2. All their albums sound the same.
That said, they have had multiple phases over the past 45 years, as one would expect. This website does a good job of succinctly breaking these different periods down: https://rateyourmusic.com/list/benji_nutella/the-legendary-pink-dots-a-guide/2/ I think you can find this site by Googling “Benji Nutella Legendary”. He also recommends albums, and I don’t disagree with him. Some of my favorites are:
Any Day Now
Crushed Velvet Apocalypse
Maria Dimension
Shadow Weaver
Hallway of the Gods
A Perfect Mystery
Seconds Late for the Brighton Line
Gethsemane Option

PS. There is a “series” called Chemical Playschool, each numbered. They have mostly been a “clearing the vaults of all the stuff we didn’t know what else to do with.” These are some of my favorites (Vol 8 &9, Vol 10, Vol 15,) though they tend to the more experimental. Also, LPD does “regular releases” and interspersed are multiple side releases. It’s difficult at first to determine which is which, though generally they have a consistent label for the regular releases, while the side releases are on different labels or self released. In the early days, they did many cassette releases. Now they do that via Bandcamp (separate Legendary Pink Dots and Edward Ka-Spel pages.)
PPS. In fact, Bandcamp is a good place to sample their output over the years. Nearly everything is there.
PPPS. And don’t forget Tear Garden. Tired Eyes Slowly Burning, The Last Man to Fly, and To Be An Angel Blind, a Cripple Soul Divide are all good. The later/more recent ones seem a bit harsher. But maybe you’ll like them.
 
They are the most original, idiosyncratic and prolific band out there. They have been around for 45 years, with changing lineups, but always led by one Edward Ka-Spel, who has one of the most distinctive voices I've ever heard. Edward is also a good writer of lyrics. Their music can be gothic, psychedelic, industrial and just plain dark in a literary way, but with no association with the occult or other weird sociopolitical movements or figures. Isolation is a common theme in Edward's lyrics, though generally expressed with a poignant beauty. Always poignant beauty. There are apocalyptic images. It is good.

Early music is simple with crude arrangements, using cheap keyboards in the mix. But they evolved over the years, and their music beginning in the mid 80s got more sophisticated, though it still retained their unique character.

Where to start? Their catalog can be overwhelming, but one of my favorites is Shadow Weaver:
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Or Any Day Now:
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And Tear Garden, a collaboration between Edward and cEvin Key:
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Here is something I wrote a couple years ago:

Legendary Pink Dots
LPD are a band that sounds like no other band ever. This is partly because their sound is dominated by the lyricist/vocalist/musician Edward Ka-Spel. In fact, his solo releases sound very much like LPD albums, though maybe stripped down some. Another reason for this unique sound is that they started before they knew how to play instruments or even how to construct songs, but as time passed, they figured it out without losing their own voice. Hence a quirky and idiosyncratic sound, though more polished as time has passed.
There are two things to understand about LPD:
1. All their albums are different.
2. All their albums sound the same.
That said, they have had multiple phases over the past 45 years, as one would expect. This website does a good job of succinctly breaking these different periods down: https://rateyourmusic.com/list/benji_nutella/the-legendary-pink-dots-a-guide/2/ I think you can find this site by Googling “Benji Nutella Legendary”. He also recommends albums, and I don’t disagree with him. Some of my favorites are:
Any Day Now
Crushed Velvet Apocalypse
Maria Dimension
Shadow Weaver
Hallway of the Gods
A Perfect Mystery
Seconds Late for the Brighton Line
Gethsemane Option

PS. There is a “series” called Chemical Playschool, each numbered. They have mostly been a “clearing the vaults of all the stuff we didn’t know what else to do with.” These are some of my favorites (Vol 8 &9, Vol 10, Vol 15,) though they tend to the more experimental. Also, LPD does “regular releases” and interspersed are multiple side releases. It’s difficult at first to determine which is which, though generally they have a consistent label for the regular releases, while the side releases are on different labels or self released. In the early days, they did many cassette releases. Now they do that via Bandcamp (separate Legendary Pink Dots and Edward Ka-Spel pages.)
PPS. In fact, Bandcamp is a good place to sample their output over the years. Nearly everything is there.
PPPS. And don’t forget Tear Garden. Tired Eyes Slowly Burning, The Last Man to Fly, and To Be An Angel Blind, a Cripple Soul Divide are all good. The later/more recent ones seem a bit harsher. But maybe you’ll like them.

Thank you so much for replying and for telling me about this. You have no idea how glad I am to hear that their art is more closely tied to the emotional than to anything occult or political. It even resonates with what Thomas Ligotti conveys when I read him—or at least, that’s how what you’re telling me feels.

My curiosity came in after I saw that Chris Bozzone listened to them. The name sounded familiar, so I became interested. I’ll start checking them out tomorrow and see what I think.

Thank you as well for taking the time to include the links and point me toward where to start. I really appreciate it.
 
Yesterday, for a brief moment, I gave Grouper a chance. I knew her from the song “Poison Tree,” and then I listened to the album A I A: Alien Observer. I thought it was incredible, very eerie.

 
I feel like such a grandpa sometimes. I just discovered these… they look so cool.

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I’d buy one and take really good care of it, but I want to expand my cassette collection first.
 
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