Man- Eater Passage of the Day

Cyril Tourneur

Grimscribe
"Ever since I was a little girl, I always knew I had a small gift. But, Halleluyah!, After we feasted on GrandMama's powdered, dried, protein conveniently mixed into a and tasty stew, I have inherited all her supernatural gifts and powers. I've gone from Acolyte to Priestess almost overnight!. Thank you Modern Man-Eater! Our family legacy is saved!"
-Laetitia Laveau, New Orleans, LA
 
"My father was always strong as a bull. Both mentally and physically, he was a mountain of a man. Though I was no wuss myself, after taking his blood capsules, I have truly come into my own as family patriarch. Somehow, when things go badly now, I can look into myself and find the inner strength there I was lacking previously."
-Jim Johnson, Jackson, MS
 
"My bones were just plain getting eaten up by the osteo-porosis. But after eating all the calcium from my mother, I feel SO much better. My bones are strong again. I can feel my mother's spirit within them making me strong again, just like she did when she was alive"
-Ota Mae Wilson, NY,NY
 
From “Among the Dead” (2005), by Joel Lane

They hadn’t bothered to look at the headstone, David realised. The body was that of a young man, eighteen or so, with dark curly hair and pale skin. A few freckles marked his bony forehead. Whatever had killed him had left his face intact. The eyes were closed, but David felt his calm stare. This could have been himself, twenty years earlier. He reached out and brushed the cold cheek with his cold fingers. What happened to you? he thought . . . .

Using penknives and their dirt-streaked fingernails, they tore off strips from the face and began to eat. The viscera had been removed, of course, but there was plenty of muscle on the arms and legs. David reached in his trouser pocket for a Sainsbury’s mini-bottle of red wine. The evening meal didn’t feel civilised without it.

He went on eating long after his physical appetite had been appeased. This was a hunger that grew out of rage and disgust. The more nauseous he felt, the more he needed to eat. He gagged and belched, but didn’t throw up. A soft breeze cooled the air, mingling the smell of formaldehyde with smoke and petrol fumes from the ruins of Hockley.

Gary cracked a rib and sucked out the marrow carefully. “Bet this one was a car crash,” he said. “The pelvic girdle’s shattered. Best way to go. Live fast, die young, leave an edible corpse.”
 
They talked obsessively, their conversations spilling over each other. They bathed in shared knowledge. Neither of them had ever been able to discuss his passions. Andrew had had his diaries, which Jay wished he could read. Jay had had nothing. Now they could not stop comparing, exulting, marveling.

"But why do you eat their flesh?" Andrew had asked. "What do you get out of that?"

"You've never tasted it?"

"Only blood. And I like the look of that more than the taste."

"Blood..." Jay shrugged. "Blood is fuel. It's all right, but it's not what they're made of."

"Do you want them to become part of you? Is that it?"

"Partly," Jay admitted. "It took me a long time to feel they were staying. I'd eat their meat and it would become my meat and I'd be alone again. After a while, though, I started to feel them."

Andrew nodded. His dark eyes were reflective, but he looked as if he understood. At last he said, "Is there any other reason?"

"Because they taste wonderful," Jay told him.

--Exquisite Corpse by Poppy Z. Brite
 
“Sea Chanty” (1955), by Gregory Corso

My mother hates the sea,
my sea especially,
I warned her not to;
it was all I could do.
Two years later
the sea ate her.

Upon the shore I found a strange
yet beautiful food;
I asked the sea if I could eat it,
and the sea said that I could.
—Oh, sea, what fish is this
so tender and so sweet?—
—Thy mother’s feet—was its answer.
 
The Narrative of Arthur Gordon Pym of Nantucket

by Edgar A. Poe

I recovered from my swoon in time to behold the consummation of the tragedy in the death of him who had been chiefly instrumental in bringing it about. He made no resistance whatever, and was stabbed in the back by Peters, when he fell instantly dead. I must not dwell upon the fearful repast which immediately ensued. Such things may be imagined, but words have no power to impress the mind with the exquisite horror of their reality. Let it suffice to say that, having in some measure appeased the raging thirst which consumed us by the blood of the victim, and having by common consent taken off the hands, feet, and head, throwing them together with the entrails, into the sea, we devoured the rest of the body, piecemeal, during the four ever memorable days of the seventeenth, eighteenth, nineteenth, and twentieth of the month.
 
The Picture in the House by HPL

"But naow I'll show ye the best un - over here nigh the middle - "The old man's speech grew a trifle thicker and his eyes assumed a brighter glow; but his fumbling hands, though seemingly clumsier than before, were entirely adequate to their mission. The book fell open, almost of its own accord and as if from frequent consultation at this place, to the repellent twelfth plate showing a butcher's shop amongst the Anzique cannibals. My sense of restlessness returned, though I did not exhibit it. The especially bizarre thing was that the artist had made his Africans look like white men - the limbs and quarters hanging about the walls of the shop were ghastly, while the butcher with his axe was hideously incongruous. But my host seemed to relish the view as much as I disliked it.

"What d'ye think o' this - ain't never see the like hereabouts, eh? When I see this I telled Eb Holt, 'That's suthin' ta stir ye up an' make yer blood tickle.' When I read in Scripter about slayin' - like them Midianites was slew - I kinder think things, but I ain't got no picter of it. Here a body kin see all they is to it - I s'pose 'tis sinful, but ain't we all born an' livin' in sin? - Thet feller bein' chopped up gives me a tickle every time I look at 'im - I hey ta keep lookin' at 'im - see whar the butcher cut off his feet? Thar's his head on thet bench, with one arm side of it, an' t'other arm's on the other side o' the meat block."

...

"Killin' sheep was kinder more fun - but d'ye know, 'twan't quite satisfyin'. Queer haow a cravin' gits a holt on ye - As ye love the Almighty, young man, don't tell nobody, but I swar ter Gawd thet picter begun to make me hungry fer victuals I couldn't raise nor buy - here, set still, what's ailin' ye? - I didn't do nothin', only I wondered haow 'twud be ef I did - They say meat makes blood an' flesh, an' gives ye new life, so I wondered ef 'twudn't make a man live longer an' longer ef 'twas more the same - " But the whisperer never continued. The interruption was not produced by my fright, nor by the rapidly increasing storm amidst whose fury I was presently to open my eyes on a smoky solitude of blackened ruins. It was produced by a very simple though somewhat unusual happening.
 
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"A Little Priest," from Stephen Sondheim's Sweeney Todd, performed by Angela Lansbury and George Hearn. Enjoy!

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"Ho ucciso mio padre, ho mangiato carne umana, e sto tremando di gioia!"
["I killed my father, I ate human flesh, and I quiver with joy!"]
-- Cannibal played by Pierre Clémenti in Porcile (1969), directed by Pier Paolo Pasolini
 
Sabotage on a downtown street
Police cars overturned
You can`t do nothing to beat the heat

Cost more than you got
And if you don`t, you`ll get burned
Sleek women behind every door
You best be up if
Cause if you don`t
You want some more
You`ll be shot

Dog, dog, dog eat dog
Log on
Dog, dog, dog eat dog
Dog, dog, dog eat dog
Kamikaze from

The hundredth floor
Swan dive to the street
This madness no more
He couldn`t handle
Yeah, yeah, yeah
Dog, dog, dog eat dog
He craved that sweeter meat

Dog, dog, dog eat dog
Dog, dog, dog eat dog

Dog, dog, dog eat dog
Dog, dog, dog eat dog.....Dog, dog, dog eat dog
Ted Nugent--"Dog Eat Dog"
 
"Do you know why he's called The Can?" I asked Kerrie.

"Go to hell. Why don't you just shoot?"

"I asked you if you knew, really knew, why he's called The Can?"

"He pretends he's a garbage can. He eats... he eats whatever you put in his mouth. He swallows it and begs for more."

"Do me a favor and move a little closer to Mr. Can," I said, directing her towards the paralyzed figure in the corner. "Closer still, Kerrie. Right up against his body, as if you were riding him piggy-back. There, that's close enough."

"Close enough for what?" she asked, a satisfying quiver of fear in her voice.

Then I set my plans in motion... and her body began to sink down into his. She struggled. She even screamed. But this was not a place where screams were taken seriously at first. Besides, the door was heavy, and it was locked. I continued my conversation with Kerrie as a monologue, since she was sinking fast into the flabby man's flesh and had begun choking on her own horror.

"You're right about Mr. Can. He does eat whatever you, or someone like you, puts in his mouth. But he also eats other things. He's not just a garbage can, Kerrie. What you never knew about Mr. Can is that not only does he have a secret life that he lives out in places like this. He also has a secret secret life that he would never have told you about. By night he's the human garbage can you know but probably do not love. In an even darker night of his soul, Mr. Can is... he's, well there's just no subtle way I can say this. He's a cannibal. And soon you're going to be made one with him - your brain buried inside of his brain, your nervous system integrated into his, and your desires bound to his desires. Unfortunately you will be denied all muscular control. You'll exist something like a parasite organism inside him. A tapeworm if you like. But he won't be bothered by you. He'll continue to eat as you've always known him to eat. And you will know that you are eating the same things. He will also eat as you never knew him to eat. There are others like him, and he is in league with them. Mostly they consume homeless persons who have fallen unnoticed by the wayside. Sometimes they give them a little help in their going. On rare occasions they eat living food. Are you aware of the word that cannibals who once occupied islands in the South Pacific used for 'human being?' It translates as 'the food that talks.' Mr. Can and others of his kind live to eat. I know that was never your style, Kerrie, but from now on it will be... as long as Mr. Can lives. And you know what: he's even made special preparations with his fellow cannibals for the day when he will be too dead to chew his food. It seems to be their desire, don't ask me why, that after their demise they be buried naked in secret ground. After their life of eating is over, their final wish is to become food for other forms of life. It's rather spiritual, don't you think? The great circle of being and all that. Of course, just because Mr. Can is dead doesn't necessarily mean that you'll join him. You're so much younger, so much healthier - even given your anorexic mania - than he is. I'm guessing that the little parasite inside him will outlive his body by a certain term, although I can't say how long that will be. Can you still hear me, Kerrie? You're sliding down into him so fast. It's almost as if you can't wait to get inside. Prick up your ears if you'd like to hear more."

But she was gone. And so was I.

"Wake up, Mr. Can," I said to the man in the corner just before I left the room.
Thomas Ligotti - "My Work Is Not Yet Done"
 
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