Thanks, everybody for your excellent tips here, I will be picking up the books you guys recommended. I've just finished reading Malakut and Other Stories by Bahram Sadeqi and I thought I'd post a review of it here:
Malakut and Other Stories is a collection of tales from Iranian writer Bahram Sadeqi whose tales are strange, surreal, ironic and very satirical. Some stories deal with the loss of freedom, expression, and rights that the Iranian people suffered during the coup in the 1950s, other tales delve into the displacement of the self or self-worth in a strange, alien society. Sadeqi is frequently compared to Kafka in the foreword of the book, and that comparison is pretty spot on, as Sadeqi’s characters resemble Kafkaesque souls who wander through a hostile, unknown existence trying to find some sort of solace or meaning in their existence. What I really liked about Sadeqi’s prose was the modernist touches he added to the stories, often breaking the fourth wall, describing his characters’ actions as part of a short story or narrative.
Some of the standout tales for me was: Action-Packed: Families come together to celebrate the winter solstice, but the entire tale focuses on the bickering, small-mindedness of people struggling to find a role in life and society. Teaching in a Lovely Spring: A strange, surreal tale set in a classroom where neither teacher or students can see each other. Enigma: The story of a man who can’t recognize his own face. Malakut: The novella was the highlight of the collection for me, strange, eerie and dreamlike it tells the tale of a strange doctor with a sinister past, a man helplessly possessed by a Jinn and a man who’s addicted to amputating parts of his body.
Bahram Sadeqi’s goal was to write “pure” stories, detached from politics and our views on society, and as commendable that sounds, he didn’t quite manage to do that. The political and social strife’s of Iran is present in many of his stories and it’s hard not to read a lot of the tales as allegories for a new and unfamiliar society. But there is a sinister strangeness over his tales, and he writes as much in the weird tradition as Kafka, Poe or even Roland Topor did with exploring the loss of identity, and estrangement from family and society. This collection is definitively worth a look if you want to read dark, strange fiction from a non-western view.